Giantess Stories: A Little Nudity

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A Little Nudity

Strutting briskly in

nearly three-foot paces, the sultry woman moved through the atrium of the

downtown office building. Her well-proportioned body, classically structured

face, and a rear that moved with piston precision caught the eye of every man

present by the time she arrived at the elevators. Entering the first available

car, she hit the pad for her intended destination – the 14th Floor

and the McKern & Derrick Advertising Agency's Commercial Studio.

Flouncing up to the

receptionist, the woman, wearing a tailored coat, broad brimmed hat and

sunglasses, told the receptionist, "I am here to see Vonda Lewinski." The

receptionist asked if she had an appointment. "No, but she'll see me. I am

Gisele, the famous Parisian fashion model."

Not waiting for a

reply, Gisele quickly moved past the receptionist into Vonda's office. There she

confronted Vonda, a wearied woman in an Ann Taylor power suit, who was having a

talk with Robers, a French cinematic director of short stature who hid his lack

of hair beneath a red beret.

"I demand to know

why you did not respond to my offer to appear in your new commercial," Gisele

said as she slammed on Vonda's desk the casting call printed weeks before in the

local trade paper. The ad read: "Wanted: The cutest girl in the world to star in

new ad campaign…"

"You do not think

Gisele is cute? You dare to disagree with every man in the Western Hemisphere?"

Gisele haughtily said as she threw back her shoulders and tousled her hair. "I

am trying to move from modeling into acting. A role in a major ad campaign would

help me achieve that. As a result, I am willing to work for less than my normal

fee," she added.

"We just didn't

think you were right for this campaign. You see, it requires some nudity," Vonda

noted.

"Gisele is not

worried about a little nudity. I have modeled for Victoria's Secret, Donna Karen

lingerie, underwear in the Bloomingdale's catalog and related advertising. Check

page 3, lower right-hand corner in yesterday's New York Times," the fashion

model irately responded.

"But I still don't

think…" Vonda continued.

"You don't think?

Then check this out," Gisele insisted as she tossed off her coat and hat,

unzipped her dress and stepped out of it. She stood before the two ad people in

only her lilac-tinted 40D low-cut lace bra, lace-accented bikini panties,

matching garter belt, light orchid silk stockings, and claret red high-heel

shoes. "You think you can do better than this," Gisele insisted as she began to

take modeling turns in the small office.

"What do you think?"

Vonda asked Robers. "I agree with you. The girl in this ad would not be wearing

silk stockings or a garter belt," Robers exclaimed.

"I get it. This ad

is for that new Italian sports car. You want raw sexuality," Gisele said as she

undid the garters and slowly slid the stocking down her legs in a manner she

hoped would titillate Robers. Not getting a rise from him, Gisele unhooked her

garter belt and snapped it in Robers' direction. He caught it and draped it over

the chair next to him. "And he claims to be a Frenchman?" Gisele grumbled in

thought.

"Well, now what do

you think?" Vonda again asked Robers. "The girl in this ad also wouldn't be

wearing a brassiere," he added.

"Then this ad is for

that expensive brand of cognac," Gisele cheered as she reached back and undid

the small hooks at the rear of her bra. Grinning slyly, she quickly slipped the

Lycra-sided contraption off and immediately covered her naked breasts with her

arm so as not to let anyone get even a minute view her nipples. "Sexy enough for

you? I can help you sell an ocean of cognac."

"We don't have the

cognac account," Vonda began. But Robers interrupted her. "Why don't we give her

a screen test before our new computerized camera?" he suggested. Gisele demanded

it. And Vonda smiled.

Wearing only bikini

panties and high-heel shoes, Gisele, her arms clutched tightly across her

breasts, and her bra held tightly in one hand, trotted briskly through the

studio behind Robers, to the surprise and astonishment of all present. The

fashion model soon stood before the strangest piece of photographic equipment

she ever saw. Resembling a large camcorder, the device had blinking lights, thin

glass tubes full of a bubbling green liquid, and a top-mounted ball surrounded

by visible static electricity. "Never saw a camera like this before," Gisele

puzzled.

Robers carefully

programmed the camera from an attached computer screen. He then donned

lead-lined goggles and advised Gisele, "Now smile." He then flipped a switch, Mercadonatorreznos Frescos

which sent a bolt of amber light at Gisele, which completely encased her.

From within the

amber ball, Gisele visibly began to shrink. Looking down, Gisele noticed that

her 40D breasts where losing mass quickly. Thinking it might help, she tried to

put back on her bra, only to find it no longer fit. Worse, her panties and shoes

were becoming loose. She looked out at Vonda and Robers, and saw then grinning

broadly.

From their vantage

point, Vonda and Robers could see Gisele losing both height and aging. They

watched as Gisele, an increasingly shocked look on her face, valiantly grabbing

her panties just as they began to slide off her rump. As Gisele's shoes became

too roomy for her feet, they tipped inward, causing her to momentarily stand

knock-kneed. This acted to hold her panties up, but as Gisele let go, they

flopped downward and inside-out.

As her body passed

the early grade school years, she tried to reposition her bra on her completely

deflated upper torso, only to have the straps slide off her thinning shoulders.

At one point of this struggle, Gisele nearly had the bra on upside-down. And

then her feet slipped from her oversize shoes, causing her to first tip forward

to her knees. Attempting to get up again, her descending panties tripped her

backward for a one-point landing on her greatly reduced bottom. Tears welled in

Gisele's eyes as she inspected what remained of her body, which was now that of

a 20-month-old baby.

"Wha' happen?" baby

Gisele said as she looked plaintively at the two advertising people.

"We used the latest

in computerized morphing technology," Robers said. "At first, this technology

only could be used to alter images after they were captured on film. But a year

ago, this technology was improved so that the images could be improved before

they went on film. Most people don't know that this technology was used to erase

Drew Barrymore's love handles during the filming of ‘Charlie's Angels.'"

But Gisele was not

happy in her second childhood. As Vonda attempted to pick her up, Gisele slammed

the heel of one of her high-heel shoes into Vonda's ankles. "You bad wady," she

whined. "You arrogant, self-important bitch," Vonda grumbled as she whisked

Gisele over her lap and began to administer a well-deserved spanking to the

model's diminished bare rump. Gisele reacted by crying as loud as she could.

But Robers stopped

the punishment. "I know you hate when someone violates the sanctuary of your

office and makes demands on you, but if you bruise her fanny, we won't be able

to shoot the commercial today. You know we're behind schedule since the other

baby began teething," Robers told Vonda.

Taking naked baby

Gisele into his arms, Robers carried her to the set where the commercial was to

be shot.

"You just wouldn't

take a hint," he told the baby. "If you read the full casting call notice, you'd

know the reason we said the commercial required a little nudity is because it is

for a manufacturer of disposable diapers. It involves a comparison of how

competing brands hold wetness. You'll be photographed naked on a diaper, and

having a blotter placed on your rear. But I assure you it will be photographed

in the utmost taste and will look completely innocent. We'll pay you for your

work, and as soon as the commercial is accepted by the client, we'll reverse the

regression."

Gisele thought

things over in her head. It was for only one commercial. Nobody will recognize

her in it. And well, she really did look cute – the cutest little girl in the

world! She'd do it without complaint.

That afternoon, it

took 12 takes for the comparison shots, and 10 more for the blotter tests.

Gisele was powdered and diapered 19 times by the adult lady actress in the

commercial until Robers got the shot he wanted. Another 26 takes were necessary

for the bottle feeding scene that concluded the ad, which resulted in Gisele

requiring several more diaper changes.

Gisele was pleased

with her work, although more than a bit unnerved that as the day progressed, it

became harder to converse with the adults present. By day's end, neither she nor

they could understand each other. "Thank goodness this will be over in a few

days," Gisele thought.

Two days later, a

rough-cut of the commercial was presented to the president of the diaper

manufacturer. "This is wonderful," he said. "That baby, with her haughty and

superior attitude, really makes this ad. I'd like her in all future ads." Vonda

grinned, "Don't worry. We'll keep that baby around for as long as you want!"

Giantess Stories: A Little Nudity

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